Basic Color Theory Part 3: Color Context

Color Context:

How color behaves in relation to other colors and shapes is a complex area of color theory.

Compare the contrast effects of different color backgrounds for the same red square.

Image

Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors.

Observing the effects colors have on each other is the starting point for understanding the relativity of color. The relationship of values, saturation’s and the warmth or coolness of respective hues can cause noticeable differences in our perception of color.

The relationships between colors is much more technically than you even could imagine.  This is why there are thousands of books on the subject and classes taught to every fashion and design student in the world.  Color is what makes any silhouette pop, and the difference between a successful collection or a flop.  A designer could present a collection with amazing silhouette’s, but if the color combinations are off, no one would even look twice at it.

Now that you are an expert on color let’s explore its functionality in the fashion…See you next time!

Basic Color Theory Part 2: Color Harmony

Basic Color Theory Part 2:  Color Harmony

Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, color, or even an ice cream sundae.

In visual experiences, harmony is something that is pleasing to the eye. It engages the viewer and it creates an inner sense of order, a balance in the visual experience. When something is not harmonious, it’s either boring or chaotic. At one extreme is a visual experience that is so bland that the viewer is not engaged. The human brain will reject under-stimulating information. At the other extreme is a visual experience that is so overdone, so chaotic that the viewer can’t stand to look at it. The human brain rejects what it can not organize, what it can not understand. The visual task requires that we present a logical structure. Color harmony delivers visual interest and a sense of order.

In summary, extreme unity leads to under-stimulation, extreme complexity leads to over-stimulation. Harmony is a dynamic equilibrium.

Analogous:
Analogous colors are any three colors which are side by side on a 12 part color wheel, such as yellow-green, yellow, and yellow-orange. Usually one of the three colors predominates.

Complementary:
Complementary colors are any two colors which are directly opposite each other, such as red and green and red-purple and yellow-green. In the illustration above, there are several variations of yellow-green in the leaves and several variations of red-purple in the orchid. These opposing colors create maximum contrast and maximum stability.

Basic Color Theory Part 1: Color Wheel

Basic Color Theory Part 1:  Color Wheel

You ever wonder why certain colors go so well with each other? Here is the basic science of color theory. Yes, even fashion is a science!

Color theory encompasses a multitude of definitions, concepts and design applications – enough to fill several encyclopedias. However, there are three basic categories of color theory that are logical and useful : The color wheel, color harmony, and the context of how colors are used.

The Color Wheel:

A color circle, based on red, yellow and blue, is traditional in the field of art. Sir Isaac Newton developed the first circular diagram of colors in 1666. Since then, scientists and artists have studied and designed numerous variations of this concept. Differences of opinion about the validity of one format over another continue to provoke debate. In reality, any color circle or color wheel which presents a logically arranged sequence of pure hues has merit.

Primary Colors: Red, yellow and blue
In traditional color theory (used in paint and pigments), primary colors are the 3 pigment colors that can not be mixed or formed by any combination of other colors. All other colors are derived from these 3 hues.

Secondary Colors: Green, orange and purple
These are the colors formed by mixing the primary colors.

Tertiary Colors: Yellow-orange, red-orange, red-purple, blue-purple,
blue-green; yellow-green. These are the colors formed by mixing a primary and a secondary color. That’s why the hue is a two word name, such as blue-green, red-violet, and yellow-orange.

Next post: Basic Color Theory Part 2: Color Harmony

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